I finally got to see the Avengers today, and a fine romp it was too. I’m still chuckling now about the encounter between Loki and the Hulk, and the movie has much to recommend it. It has good characters, excellent explodiness, very snappy dialogue, and some very smooth cultural references. I know nothing about the Marvel universe, but I really like the Incredible Hulk and I think he’s done very well in this movie, as is the Stark guy. Thor was a bit bland, and Hawk Eye both incongruous (a bow? really?) and a little weak, but Black Widow was excellent, and even Captain America had charm despite his obvious inherent blandness. So that’s four good characters, an excellent script, some genuinely awesome action scenes, and a plot that mostly made sense. I’m willing to forgive Joss Whedon the flying aircraft carrier madness because a) it’s pretty cool and b) it was probably some Marvel stupidity anyway, so whatever. Though FYI to super-spy agencies planning on building a massive flying double-decker invisible aircraft carrier: more than four rotors is a good idea. Try eight. Also, maybe there’s a new truism of movie-making here: plots that occur on a massive flying invisible aircraft carrier will be a bit silly, because I thought the whole shenanigan in that part of the movie was a little unbelievable. I don’t in general like it when the bad guy’s scheme is so devious that it relies on 88 layers of mistakes by his otherwise intelligent opponents (“I know! If I get myself captured and trick them into taking away my weapon and placing it in the dungeon right next to an unstable ammunition supply, and then they simultaneously build a hoverbike in the same room – which I know they’ll do – and the hoverbike relies on beta-particle generating fusion power for its locomotion – which I know it must – then surely the resulting chemical reaction will kill them all and free me from the indestructible prison I know they will put me in!”)

But otherwise it was excellent. Though I must point out that the wiggly monster-thingy from the preview that appears in the final battle, though 78 spiny shades of awesome, does appear to be a bit of a copy of a certain monster from a Final Fantasy movie I watched. But as Chumbawumba said, there’s nothing new under the sun, and provided it explodes in sufficiently technicolor glory I don’t care. And anything that gets punched by the Hulk does, so all’s well that ends well (unless you’re the spiny beast from beyond space and time – it doesn’t end well for them).

I was reminded while watching, however, that a while back I put up a post about Game of Thrones passing the Bechdel test, and that this post was inspired by the observation that the Avengers fails the Bechdel test, so having finally had a chance to see the movie, I’m in a position to make a judgment about this burning cultural issue. As a reminder, the Bechdel test requires that two female characters must have a conversation about something other than a man.

In this simple sense the movie fails the Bechdel test, but this is for a very simple reason: there are only three female characters in the movie, only one of them is a significant lead, and they basically don’t meet. Most assuredly, it fails the “where have all the chicks gone?” test, but there’s a very simple reason for this: it’s set in the Marvel Universe, a comic book world designed for teenage American boys, and so there are very few lead characters who are female. The only chance for any woman to interact with any other woman in this movie is in the first half of the movie when Black Widow is on the bridge of the USS Stupid Flying Invisible Aircraft Carrier, and there is one other female agent who might be able to engage with her – but that agent’s role is so tiny that she gets maybe three speaking parts and is largely irrelevant through most of the movie.

I think a more relevant question is whether Joss Whedon should have considered putting women in more secondary roles – e.g. Agent whatisface who gets killed, or the physicist guy who does something. Alternatively, and more radically, Whedon could have considered making one of the five core cast members a different gender. I’m not sure how Black Widow could be made a boy given her name, but Captain America and Hulk are both gender neutral names. Come to think of it, a female Hulk would be fascinating on so many levels of feminist inquiry, it would make the average teenage nerd’s head explode. It would probably also lead to the movie being shit-canned as “too politically correct” before it even got to the funding stage. And Marvel would no doubt not have supported it.

I guess the moral of this is that the Bechdel test really only applies to movies set in genres which allow women to have meaningful roles.  That pretty much rules out much of the super-hero genre and a lot of sci-fi too. Bechdel tests are an irrelevant second order concern when women can’t even be portrayed in strong roles in a genre, and in fact the female characters that Whedon did put in this movie really shone: Black Widow was awesome, and the nameless female agent on the bridge was very competent and cool. Sadly, everyone else was a bloke. So, more important than giving Black Widow the chance to workshop her mass-murder issues with a couple of her girlfriends, is actually giving her female colleagues. Once the American comic universe has risen to that level of sophistication, we can upbraid Joss Whedon for not having the all-female murder crew talk about something other than the men they’re going to kill…

… and she never, ever looked back …

I discovered today that vibrators were originally invented for medical use. An excellent article in the Guardian describes the history of the invention of the vibrator, in the context of an interesting new movie called Hysteria, which gives a fictional account of the life of its inventor.

The vibrator, it turns out, was invented before both the electric kettle and the vacuum cleaner, but was originally intended for use by doctors, who found the task of administering “pelvic massage” to treat women’s pervalent hysterical states far too tedious. The article reports:

The pelvic massage was a highly lucrative staple of many medical practices in 19th-century London, with repeat business all but guaranteed. There is no evidence of any doctor taking pleasure from its provision; on the contrary, according to medical journals, most complained that it was tedious, time-consuming and physically tiring. This being the Victorian age of invention, the solution was obvious: devise a labour-saving device that would get the job done quicker.

This labour-saving device was very quickly miniaturized, and soon was being sold direct to the patient, saving doctors the tiresome but financially rewarding task of bringing their patients to orgasm. It also appears that the readers and writers of women’s magazines at the time were aware of more than just the medical benefits of these devices:

For the next 20 or so years, the vibrator – or “massager”, as it was known – enjoyed highly respectable popularity, advertised alongside other innocuous domestic appliances in the genteel pages of magazines such as Woman’s Home Companion, beneath slogans describing them as “Such delightful companions”, and promising, “All the pleasure of youth… will throb within you”. In 1909, Good Housekeeping published a “tried and tested” review of different models, while an advert in a 1906 issue of Woman’s Own assured readers, “It can be applied more rapidly, uniformly and deeply than by hand and for as long a period as may be desired.”

So, in the 19th century Doctors had a lucrative side business as, essentially, a type of sex worker, and in the early 20th century it was acceptable for women to order a vibrator from any magazine, and to use it for its curative properties. I guess they discussed them at their tea parties … as Maggie Gyllenhall, actor in the upcoming movie, notes, it’s a little weird that

 100 years ago women didn’t have the vote, yet they were going to a doctor’s office to get masturbated

Strange indeed. Imagine what Rush Limbaugh would say if Obamacare mandated that service to Catholic healthcare providers …

There is, of course, a serious side to this topic. The movie is based on a book and some publications by an academic, whose career appears to have been threatened because she showed an interest in the history of the vibrator, and it appears that there is some resistance in academia to understanding this aspect of the history of psychiatry. It might seem trite on the surface, but the development of psychology and psychiatry is intimately connected to the efforts of doctors to define women as mad and inferior, and hysteria played a central role in the development of a lot of modern theory. Examining the history of the vibrator also means getting a better understanding of just how deeply held the beliefs of doctors at the time were. This notion of “hysteria” wasn’t just some fictitious silliness from one of Freud’s texts, but clearly influenced widespread medical practice, and a whole industry thrived on the treatment of this non-existent condition. It’s worth noting that this labour-saving device was invented and popularized before several important household appliances, so it wasn’t just a trivial sideline in the industrial revolution. Yet there is almost no scholarly research on either the device itself, its relationship to medical practice, or what the existence of this industry says about the pervasiveness of the pernicious notion of hysteria in the 19th century. The article finishes by noting this point:

If the story of the vibrator tells us anything … it is that men have been determined for millennia to deny the most obvious truth about women’s sexual requirements. Explanations for this collective denial have ranged from profound fear of female sexuality to sheer laziness. Either way, Maines says, “The constant from Hippocrates to Freud – despite breathtaking changes in nearly every other area of medical thought – is that women who do not reach orgasm by penetration alone are sick or defective.” Western society has steadfastly preferred to pathologise around 75% of the female population as frigid, hysterical or, as the Victorians liked to say, “out of sorts”, than acknowledge the inconvenient truth that coitus might not be entirely satisfying to women.

The thing I find astounding about this aspect of the history of sexuality is what it says about men’s attitude towards sex, and particularly their lack of interest in the female body. Sure, playing with vibrators is fun, but all that sticky stuff down there is an enjoyable and essential part of a full sex life, and I would have thought that most men who have a genuine interest in and desire for the female body would naturally gravitate to the sort of playfulness that renders vibrators (largely) obsolete, and certainly one would think that through just simply playing around in a natural way, men would have worked out what women like, and would see it as a natural thing. But no, somehow for centuries they all managed to labour under the false notion of the vaginal orgasm, with all the confusion and blandness such an ideal introduces to sexual intercourse. Did they not notice? Were they not concerned? What were they doing? How could they have been satisfied? Reading about the advertisements in women’s magazines of the time, I can’t help thinking that despite their inferior position and straitened circumstances, women had worked out what was going on long before men, and for all their freedom of expression and exploration, it is men who have been the repressed ones for most of history. Which just goes to show that the people with the most social power are not always the ones best equipped to use it …

Twelve days into the Olympics and 75% of Japan’s gold medals are due to women winning combat sports: one judo and two wrestling. One female wrestler, Kaori Icho, has completely dominated her sport for the last 12 years – she is the first Japanese woman to win three gold medals in a row, has won the world championships seven times, and has not lost a bout for more than 150 matches. During last night’s coverage the commentators were saying that they have never seen her lose, and don’t know how she would react.

Given the popular image of Japan as a sexist place, it’s genuinely surprising to see women’s participation in sport and the acceptance of women in a wide range of activities that in the west are largely reserved for men. The degree to which this process is normalized, accepted or encouraged is most evident in the olympics coverage, because it’s not just that the women are given air time – the coverage of women’s sport has been excellent. When a Japanese woman is competing in a combat sport, they don’t just flick from some irrelevant men’s sport to cover her bout – they give uninterrupted coverage on the main channel for the entire tournament, which meant last night I watched two hours of uninterrupted wrestling, and I’ve seen multiple hours of women’s judo. Furthermore, they bring a female expert from the sport into the studio to do analysis and coverage, and the male commentators show obvious deference to her expertise. The women’s soccer (the biggest contender for gold number five) is covered on the national TV channel by an excellent woman (I haven’t caught her name) from a previous generation’s soccer team, who provides analysis and detailed commentary that would make Australia’s Craig Foster proud. The wrestling has similar coverage, from a previous champion, and the same applies to other sports where women are playing. Essentially, from the top of the channel down to ordinary people in bars and living rooms across the land, women’s participation in sport is shown the same respect as men’s – with, perhaps, the notable exception of the soccer federation, which oversaw a notable blunder in which the women’s team flew economy in the same plane that the men’s team (who are eternal losers) flew first class. This extends to participation in ordinary sports centres too – quite often my own kickboxing class in Tokyo will have as many women as men participating.

It could be said that this is just an olympics sport phenomenon, reflective of the fact that the women are excelling in combat sports and combat sports are the Japanese public’s favourite activity. But it’s not limited to sport. On the train channels at the moment are a slew of adverts featuring pretty mainstream-looking non-nerdy women playing computer games, and computer gaming is seen as a completely reasonable activity for girls to engage in. It’s really common here to see young women fiddling with portable came consoles and fooling around in gaming arcades, and most gaming companies have developed games aimed at women, or are looking for ways to market their main games to a growing female market.

Another area in which women’s participation is encouraged and accepted is that most macho of western domains, beer drinking. Advertisements for beer here are completely devoid of macho images of working men, but instead have couples enjoying time together, but beyond that there are a whole slew of adverts aimed purely at women: no men in the scene, no evidence that beer has anything to do with men. I recall reading years ago that John Singleton (a famous advertising mogul in Australia) said that there were three key things that had to be in a beer ad to make it successful: 1) a man, 2) a beer, 3) a man drinking a beer. Not so in Japan, not at all.

But the most striking example of this equality of participation is in that most male-dominated of hobbies, role-playing. In my 5-10 attendances at conventions in rural Japan I noticed that about a third of the group were women, and I also noticed that women would GM games and would also be deferred to by men (including GMs!) as experts on a particular game – when I played Make You Kingdom the GM deferred regularly to a female player on rules issues. Recently, playing 13th Age in the Akihabara gaming shop Yellow Submarine, there were five or six gaming tables and every one except ours had at least one woman participating – except for one table, which was occupied by five women of about the same age as me playing Double Cross. Those women must have been in the hobby for as long as it’s been going on, which suggests that role-playing has always been popular with women. To the best of my knowledge this level of female participation in role-playing is unheard of in the west – in the UK when I gamed at a pub, there would be maybe 40 men and every couple of weeks one woman would turn up – and she would be stared at like a freak. It’s extremely hard to find women at any organized gaming events in the west, though you can get women interested if you recruit them through friendship circles, etc. But here in Japan it’s normal to see women playing. They’re still a minority, but not a tiny minority, and clearly their participation is seen as normal by the boys.

When people comment on gender inequality in Japan they tend to overlook many facets and nuances of gender relations here, but it really frustrates me when they overlook this aspect of Japanese life, or when they single out a single event like the first class soccer controversy as evidence of some deep problem – especially when that kind of controversy happened in Australia too, where women would generally consider themselves to have very few equality issues still to resolve. But in sport, in nerd activities, and in beer drinking women’s participation is both encouraged and seen as normal in this country. For role-playing, particularly, this is a fascinating and eye-opening insight into how far western gaming still has to come in encouraging openness and diversity of participation. In both the nerdy and the sporting worlds, maybe Japan has something to teach the west about gender equality?

The early cat gets the suffragette…

It’s often forgotten in modern times that women’s most basic rights weren’t won prettily or peacefully: the suffragettes‘ campaign for the vote included a coordinated campaign of vandalism against shops, a protracted hunger strike that led to women being forcefed in prison (with some horrific injuries, as one can imagine of turn-of-the-century doctors trying to “safely” forcefeed women gruel with a tube) and the famous Epsom Derby incident. Their protests were often violently broken up by the police (in modern media parlance,  “the demonstration turned violent”) and much of British and US society was terrified of this new breed of women (called “modern girls” in Japan) who were willing to do very unlady-like things to get what they believed women deserved.

To the suffragettes’ long list of violent activism we can add the deployment of an organized militia trained in jujitsu: the Guardian today reports on Edith Garrud, a diminutive woman with jujitsu training who was responsible for training Emmeline Parkhurst’s bodyguards[1]. I would be intrigued to read more about this situation, because I guess there were no jujitsuka in Britain at the time, and certainly no white jujitsuka – this means that she must have learnt from a Japanese person who was, one presumes, a Japanese man. Or did Japan also have a secret cadre of highly-trained female jujitsu practitioners? I have visions of a cabal of art nouveau-styled schoolgirl feminist ninjas, deploying jujitsu in defense of … of … ninja things. And teaching it to passing suffragettes.

So there you go – western feminists polished up their violent mojo under the tutelage of the Japanese. Is there a stranger connection in the history of radical politics?

fn1: never let it be said that feminism and Libyan socialism have no common roots! Just like Gaddafi, the leaders of the suffragette movement had an all-female bodyguard!

The Bechdel test is sometimes presented as a necessary (though not sufficient) condition for a movie or tv show to be not sexist. For example, in this blog post, “the opinioness” subjects the  new Avengers movie to the test and gives an explanation of its importance as a test. The Bechdel test is explained there pretty simply: two female characters have to have a conversation with each other about something other than men. Apparently in the Avengers the female leads don’t speak to each other at all, not once in the movie.

Maybe I’m just being pesky but I have a strong suspicion that A Game of Thrones would pass the Bechdel test with flying colours. I’m pretty sure that Danaerys has had a conversation with one of her maids about the woman healer, and of course many conversations about her dragons; that Cersei has talked about her daughters with Sansa, and also about Arya; that Sansa and Arya have talked about their mother; possibly that Shea and Sansa have talked about Cersei. I think it happens in every episode. This is a testament to the strength of the female characters in this tv series, and comparing it with this report on the Avengers really makes me think that Joss Whedon, for all his many talents, is a bit of a grand-standing puffball.

Big Bang Theory has some amusing and interesting insights into the world of nerds and physicists, and the way it depicts the social standing of nerds in America seems very familiar to an Australian viewer. But like most American shows, when it moves on to talking about relationships and gender relations, it’s a whole new world. Because the show presents an outsider’s view of the social relations of ordinary people, it can be quite brutal in its honesty about what I assume are standard American cultural practices, and when it talks about “dating” and relationships I truly find myself wondering: is America really this crazy? So, this blog post is a plea for my American reader(s) to enlighten me about American “dating” culture: is it really so hard for you guys, and is America really that conservative?

This isn’t a problem limited to just Big Bang Theory, either. Watching Friends, I’m struck by the pointless dufusness of the men’s behavior, the knee-jerk “I’m not gay”-ism and the puerile sex jokes that speak of writers uncomfortable with their own and others’ sexualities. Then there is the hideous conservatism of Sex and the City, that bills itself as being all about a new generation of liberated women, whose liberation boils down to … giving out blowjobs for nothing as if this were daring (and of course settling down for the older rich guy at the end[1]). There is the strange and juvenile way that Richard Castle loses his train of thought any time Kate Beckett implies that she might once have done something racy. Or the way that the women in Buffy all fall over themselves to prove how they’re not “sluts,” and perfectly attractive women in even vaguely gothy outfits are routinely referred to as “skanks” – and this from a supposed feminist. But the good thing about Big Bang Theory is that it’s not just reproducing social norms: being a story about outsiders who sometimes try to fit in, we see them on both sides of the fence. Sometimes they engage in the standard mating rituals of the American male, and then sometimes – as in the outstanding episode where Leonard and Penny decide to be “just friends” – they take on those standard rituals.

In that episode, Leonard and Penny go out for a meal as “just friends,” and Leonard takes great pleasure in forcing Penny to pay for everything she consumes, because that’s what friends do. But the clear reason he takes pleasure in this is that, normally, he would be required to pay for everything.

Is this normal in America? When you go on a date, is the man supposed to pay for everything? I was confused about this, finding it really hard to believe that such a backwards ritual could apply in the modern world, especially in a country so supposedly open-minded and equal as America; and after all, television doesn’t depict life just as it is, but often as the writers would like to imagine life should be, so maybe it’s fake? So I did a bit of online research, and I worry that the show might be telling the truth. This Irish website gives tips to Irish men dating American women, and after “don’t get drunk” the number 2 tip is “pay for everything.” This (admittedly more than a little obnoxious) Guardian opinion piece ponders why American women expect to be shouted everything, even when they earn more than the guy (and blames it on that crappy book The Rules); and this dating advice website corroborates another part of Robert Kelsey’s point about American dating tips – that you shouldn’t “make yourself too available,” which is apparently a delicate American way of saying “don’t have sex when you want to.” I found a website by girls seeking advice about dating French men, too, and the top complaint by the women there seemed to be that their Frenchie doesn’t text them every 10 seconds to tell them how great they are – like maybe he’s got a life, or something[2]. The strong implication I drew from these sites is that American women are high maintenance, requiring men to buy them lots of stuff and constantly tell them how great they are[3]. Also something that a lot of people trying to get by in America seem to notice is that the concept of “dating” is unique to Americans. The dating tips website even talks about this as an identifiable social mode:

Whether you are new to the dating scene, are reentering the dating scene, or are a serial dater, you can use dating tips and advice

Well clearly I would need dating tips and advice, since I’ve seen many scenes but I’ve never heard of a “dating” scene. And what is a “serial dater”? Is that maybe someone who just can’t get a root? In Australia, we don’t “enter the dating scene,” we meet people and if we like them and they like us we have sex with them, and at some point we discuss whether maybe we should stop having sex with other people (although often this is just assumed, or just a touch too delicate so we just keep on doing it until we move in together[4]). If someone is meeting a lot of different people of their preferred sex for dinner and drinks, their friends will say “ooh, he’s getting a bit isn’t he?” or “well she’s certainly enjoying her single life” but no one would say “I think Sheila’s dating again…” What a strange concept. Also, if Sheila is meeting lots of different Bruces, one can be fairly certain that most of those Bruces are expecting her to pay half of the bill. She is not, after all, an escort girl, so it’s not like dinner is a business expense. In fact, quite a few Australian women I have known would feel uncomfortable about the implied expectation of having a man pay for your dinner and drinks. How horrible would it be if a woman paid for my dinner and drinks, but I didn’t like her and didn’t want to see her again? I’d feel like a cheap fraud.

Finally, one night I had a long conversation with my (good-looking, well-adjusted) American (Californian[5]) flatmate about this, and he told me that California girls are really complex, and that trying to become entangled with one is a real pain in the arse: not only do they expect you to pay for everything but the whole “dating” thing is a complex job-interview-like assessment, in which your current and future prospects and all you “have to offer” them is on the table. And you know they’re “dating” various other men – openly! – so that you know you’re competing, kind of bidding for a tender or something. I suppose it fits with the rest of the world’s image of Americans as having kind of commodified themselves, but to me the thought of going out looking for a root as being some kind of investment or marketing strategy is quite horrible.

So my question to my American reader(s) is: is Big Bang Theory right? Is it true that men have to pay for everything and women mustn’t fuck on the first date? Do you really openly admit to your dating partner – through the very use of the word “dating” – that you’re seeing other people in the same context, and kind of taking applications …? Just how cold and calculating do you think people are in their assessment of their dating “partners” in such a context? And are American women as complex and princess-y as your dramas suggest? I’ve never had the good fortune of “dating” (or anything else!) one of your Amazonian women, so your culture is foreign to me. So please do enlighten me! If I were Leonard dating Penny, and I refused to pay for her ice-cream, would that be a faux pas? And if so, what do you think of these strange rules? And have you considered moving to Australia, where the women are beautiful and fun and simple and sweet and, quite frankly, easy?

fn1: At least, that is what I’m led to believe happened – I don’t dare watch the show too much for fear my head would explode from the sheer horribleness of the main characters, not to mention the intense pain brought on by the concentration required to pretend that these hideous brides-of-skeletor are actually pretty women who are capable of sexual enjoyment (though admittedly, all their sexual enjoyment seems to come from giving blowjobs and then telling each other about it, so maybe this last part should make sense).

fn2: spent working hard to pay for the next date, maybe?

fn3: I think there’s a Monty Python scene about this, involving Death and a salmon mousse.

fn4: This is a slight exaggeration, but you get my point, I’m sure.

fn5: Actually, is it possible to be Californian, good-looking, and well-adjusted at the same time? Maybe I missed something!

In my reading of Glen Cook’s Chronicles of the Black Company I was, of course, confronted with scenes of violence and rapine such as one might expect of a company of mercenaries fighting on the side of an undead evil. However, I was also struck by the difference between the depiction of this aspect of the story and it’s depiction in, for example, the tv adaptation of A Game of Thrones, about which I have complained previously.

Taking A Game of Thrones as an example, we see a modern “gritty” fantasy writer’s view of the behavior we might expect of men and soldiers in a world where women have few rights, war has no laws, and the all moral decisions are supposedly painted in shades of grey. In Martin’s depiction, men are constantly spouting venomous, misogynist language, sex work is ubiquitous and glamorized, women are under constant threat of rape and rape culture is omnipresent and accepted. There is very little sense that men even see rape as wrong (except perhaps as a property crime), or that soldiers and victors should (or even could) be expected to act with any decency. We also don’t see any evidence that gender inequality might be differently constructed in a world of magic and dragons. Instead we have a vision of a world that you can’t help but think of as a misogynist teenager’s daydreams.

In Cook’s Chronicles of the Black Company we see the same setting, of gender inequality and war with no laws, but instead of reading the tale of men who have to make hard moral decisions to win, we find ourselves squarely on the side of a bunch of famously bad-arsed mercenaries fighting on behalf of an ancient and powerful evil. This is an evil that takes no prisoners and allows it’s favorites to commit any crime. So how is this setting depicted?

First of all, we see that our soldiers take no prisoners – they often kill their captives, and torture is done wherever necessary. They also use rape as both a tool of war and a reward. But neither activity is dwelt on in the text at all, and there is not really any point in the story where the plot takes a turn such as to make these unsavoury activities necessary to the story or to bring them to the fore in the narrative. Furthermore, although we get the impression that some of the main characters may be capable of it or may have done it – certainly Croaker orders or condones the murder of both military and civilian prisoners, including the elderly – we don’t see it as necessarily pleasant for them, and we don’t get the impression they think it is not wrong. In general rape is seen as a crime that soldiers can get away with, those who don’t want to are respected for it, and men who commit acts of violence to protect e.g. children are even given extra leniency in considering their punishments. There is no revelling in rape culture here, but a kind of guilty acceptance of it as one of the many bad things that happen in war. The Black Company is composed of exiles and criminals and held together only by it’s own internal honor and allegiances, so it is generally expected that soldiers don’t turn on their own over external moral principles, but this doesn’t stop them from condemning the crimes their members commit, and it certainly doesn’t require that the author revel in them, or enable his readers to. This is rape culture with a context, not stripped of its historical and social meaning and presented to the reader as a kind of warporn.

We also see a very different depiction of female characters in this story. Being a story about a company of male soldiers, most characters are male, but two characters in particular are women, and some are of indeterminate gender for much of the story. The women come from both sides, and both wield great power. One is perhaps supernatural and both are magical. Both expect equality as a consequence of their temporal power and the men around them give it without question. These women, like most of the characters in the story, have human flaws, but their flaws are not the usual kind of gender-specific hysterics and weaknesses one expects of a fantasy story. Indeed, one of these women is a rape survivor, but it’s not particularly relevant to her character and she has no obvious weaknesses or flaws as a consequence of it. Certainly her character and narrative role remain largely unrelated to this, so she is not defined by the acts of men. Indeed, although both characters enter the story initially in relation to the evil acts of the men around them, they soon define their own place in the world and supplant the men whose shadow they might otherwise have been expected to remain within. And there is certainly no way you can claim, as some do in relation to Martin’s work, that only a terrible fate befalls powerful and successful women.

Another aspect of this story that I really liked was the ability of these women to form non-sexual relationships with men. There is one relationship particularly that would surely be expected to become sexual under the standard fantasy conventions, but in this story it remains a friendship, and neither member of the friendship seems challenged by this. These are real human relations as we might imagine them in a medieval world where gender inequality is commonplace.

This book offers us examples of how we should expect modern writers to provide us a realistic view of a dark and vicious fantasy world, without either sugar-coating the bad stuff or revelling in it. Cook manages to present a world of gender inequality where vile deeds are commonplace without making us think that he admires it or we should enjoy it. He also asks questions about how women’s role might change in the presence of magic, and assumes that essentially our relations would retain their fundamental humanity in such a world. This is very different from what I saw in A Game of Thrones, and, I submit, a far more mature approach to the sub-genre and to fantasy writer’s interpretation of misogyny and violence in the medieval world.

Because one day, I aim to sue for injuries incurred having sex at work as well!

Weighing in at 55kg plus hair, in the Blue Corner...

Apropos of nothing, here is the website of one of the brothels that operate in my local suburb, Kado Ebi. I walk past this brothel (actually, it’s a soapland) on my way to my favourite restaurant, Bloomoon, or when I’m passing Kichijoji’s hammock cafe[1]. It says a lot about the attitude towards sex in Japan that a brothel can be situated opposite a fashionable cafe for dainty young women. I suppose it also says a lot that the brothel has a website, multiple branches, a search facility to match you to your favourite “princess” (including by blood type), pictures of the inside of the brothel on the website, and an announcement saying that the brothel doesn’t employ kyakuhiki, that is, touts. This is what happens when you decriminalize sex work (I think in Japan all forms of non-penetrative sex are completely legal as sex work, though I could be wrong about this).

But what really confuses and intrigues me about this soapland (besides the name, which I think means “corner shrimp”) is that, in addition to providing the much-needed service of an all over body wash and wank for 6000 yen (about$US60), it also has a sign out the front advertising its boxing school. That’s right, this soapland is running a boxing school, which is somehow connected to the soapland and is advertised via a sign on the wall outside: “We’re looking for students!”

Who thought it would be a good idea to connect their boxing school to a brothel? Is it a school of fighting for the local pimps and touts? Is there some deal where the girls who work at kado ebi get to stay trim in the boxing gym, maybe beating up their clients? Maybe they thought it would be easier to provide ring girls if the boxing gym is inside a brothel… do they share bathrooms? This phenomenon is genuinely and completely a mystery to me. Guesses or suggestions as to what’s really going on here much appreciated. Also, my partner’s moving to Tokyo in a month, and she’s been doing a bit of boxing with a group of handsome Korean boys in Beppu. Should I recommend to her that she take up boxing at the Kado Ebi gym? She does like host hair, after all …

fn1: Passing this cafe is a classic moment of being able to appreciate the strangeness of Japanese women. There they all are, sitting daintily eating and drinking and chatting on their hammocks, everyone swaying slightly, heads bobbing about as the hammocks move slightly. It’s a picture of cuteness – the cafe is always completely girl-only, girl-focused, with these girls all talking very intently to each other in a very civilized way, swaying daintily on their hammocks. It’s like the hold of some fantasy anime pirate ship…

Today marks the 10 year anniversary of my first date with my partner, the Delightful Miss Ember, who I met in a nightclub called Oblivion in 2001 in Australia. We were set up by a mutual friend, a speed-addicted anorexic girl who was almost certainly a compulsive liar and probably also schizophrenic. She lied to both of us to set us up (“Oh, faustus, Miss E thinks you are very handsome”[1] and “Oh, Miss E, faustus thinks you’re so very elegant”). In fact the basis for the lie that our mutual friend told Miss E was that a month earlier she had pointed out Miss E across a crowded dancefloor and said to me, “don’t you think she’s cute?” I, squinting through the haze, said “Yes” just by way of pacifying my friend (in truth I could see an elegantly swaying red dress, but that’s all). And they say white lies are not a good idea…

In truth the night of our introduction included an amusing coincidence. I knew I was being introduced at some point, but I spent the hour or two before the introduction with my friend, Sergeant M. So there we were, sitting against one wall of the club, doing what Sergeant M and I do best – perving on girls. And there, on the other side of the club, was a couple playing pool. We couldn’t see the whole pool table or much of the girl due to the positioning of the table, but we were both mesmerized by a splendid, peachy bottom in a shimmering peach dress. So an hour later, I’m talking to another friend when up bobs my crazy friend, and in tow she had… a pretty young woman in a shimmering peach dress. While the introductions commenced I could look over her shoulder and see Sergeant M giving me very energetic thumbs up signals from his perving vantage point[2].

I think this introduction was an auspicious signal of how our lives would play out over the intervening 10 years. It’s been good! So today we’re having our anniversary celebrations, and we’re managing to fill our day with some of the more traditional things we’ve got up to in the past 10 years:

  • drinking too much coffee and watching a tv show we’re obssessed with (currently, Castle)
  • Eating in good restaurants
  • bludging on the internet
  • going clubbing (tonight will probably be psytrance)

Ideally we should also find time for me to play computer games while the Delightful Miss Ember does something incomprehensibly girly, but we probably won’t be able to fit that in…

Anyway, it’s a lazy day in celebration of the best thing ever to happen to me. Here’s to another 10, or 50…

fn1: This is surely a lie that deserves a perfect 25 out of 25!

fn2: He denies this now but I think he is pretending not to remember such a delightful bottom, in order to avoid angering his wife…

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